Its golden age in Swat lasted from the second to the fourth centuries, when more than 1,000 monasteries, sanctuaries and stupas spread out in constellations across the valley.

"The landscape was worshipped in itself," says Luca Maria Olivieri, an Italian archaeologist who oversaw the restoration of the Buddha.
"The pilgrims were welcomed by these protective images, sculptures and inscriptions, arranged along the last kilometres (miles) before arriving," Olivieri explains.
Rehabilitation of the site has not been easy, he says. Carried out in phases, it began in 2012 with the application of a coating to protect the damaged part of the sculpture.
The reconstruction of the face itself was first prepared virtually in the laboratory, in 3D, using laser surveys and old photos.
The last phase, the actual restoration, ended in 2016. Olivieri says the reconstruction is not identical, but that is deliberate, as "the idea of damage should remain visible".
The Italian archaeological mission in Swat, which he directs, has been there since 1955 -- though it was briefly forced from the valley during Taliban rule.
It manages other excavation sites and supervised the restoration of the archeological museum in Mingora, the main city of Swat, damaged in an attack in 2008.
The Italian government has invested 2.5 million euros ($2.9 million) in five years for the preservation of Swat's cultural heritage, striving to involve the local population as much as possible.
Now authorities are counting on the Buddha's recovered smile and iconic status to boost religious tourism from places such as China and Thailand.
Years after the Taliban were ousted, the valley is largely rejuvenated, though at times security is still tense, with an attack killing 11 soldiers in February this year.
Some people in Swat also see the Buddha as a tool for promoting religious tolerance.
Fazal Khaliq, a journalist and author living in Mingora, thinks the threat to cultural heritage has been "minimised" through education and the use of social networks to spread a "soft, good" image.
However, "the majority of people who are not young, educated -- they still do not understand" its importance, he admits.
Meanwhile the museum in Mingora now welcomes mullahs "who like Buddhism", says its curator, Faiz-ur-Rehman.
"Before Islam, this was our religion," he says.
Its golden age in Swat lasted from the second to the fourth centuries, when more than 1,000 monasteries, sanctuaries and stupas spread out in constellations across the valley.
"The landscape was worshipped in itself," says Luca Maria Olivieri, an Italian archaeologist who oversaw the restoration of the Buddha.
"The pilgrims were welcomed by these protective images, sculptures and inscriptions, arranged along the last kilometres (miles) before arriving," Olivieri explains.
Rehabilitation of the site has not been easy, he says. Carried out in phases, it began in 2012 with the application of a coating to protect the damaged part of the sculpture.
The reconstruction of the face itself was first prepared virtually in the laboratory, in 3D, using laser surveys and old photos.
The last phase, the actual restoration, ended in 2016. Olivieri says the reconstruction is not identical, but that is deliberate, as "the idea of damage should remain visible".
The Italian archaeological mission in Swat, which he directs, has been there since 1955 -- though it was briefly forced from the valley during Taliban rule.
It manages other excavation sites and supervised the restoration of the archeological museum in Mingora, the main city of Swat, damaged in an attack in 2008.
The Italian government has invested 2.5 million euros ($2.9 million) in five years for the preservation of Swat's cultural heritage, striving to involve the local population as much as possible.
Now authorities are counting on the Buddha's recovered smile and iconic status to boost religious tourism from places such as China and Thailand.
Years after the Taliban were ousted, the valley is largely rejuvenated, though at times security is still tense, with an attack killing 11 soldiers in February this year.
Some people in Swat also see the Buddha as a tool for promoting religious tolerance.
Fazal Khaliq, a journalist and author living in Mingora, thinks the threat to cultural heritage has been "minimised" through education and the use of social networks to spread a "soft, good" image.
However, "the majority of people who are not young, educated -- they still do not understand" its importance, he admits.
Meanwhile the museum in Mingora now welcomes mullahs "who like Buddhism", says its curator, Faiz-ur-Rehman.
"Before Islam, this was our religion," he says.